Supervizuelna u studiju – NINA IVANOVIĆ
Današnja epizoda Supervizuelne u studiju vodi vas u atelje umetnice Nine Ivanović. Sa Ninom smo poslednji put razgovarale u Jugošpedu, u periodu neposredno pred iseljenje, kao i uoči 60. Oktobarskog salona, a sada se, više od godinu dana kasnije, nalazimo u njenom trenutnom radnom prostoru u Šećerani. Nina nam je pričala o svom dosadašnjem iskustvu, kako u pogledu rada, izložbi i rezidencija, tako i na temu pronalaženja, iznajmljivanja i prilagođavanja ateljea. Pokazivala nam je kako funkcioniše njen proces rada, koje alate (industrijske i ručno, namenski rađene) koristi, koje materijale upotrebljava, kako ih oblikuje i koliko je saradnje potrebno da se do kraja izvede jedan projekat koji zamisli. Posebno zanimljiv deo razgovora tiče se segmenta života u kojem Nina pronalazi inspiraciju za svoj rad, a koji se odnosi na životnu sredinu, reke i druga prirodna bogatstva, njihovu devastaciju i zagađenje, ali i otpor i istupanje stanovništva u borbi protiv njihovog daljeg uništavanja. Našu najnoviju epizodu možete da pogledate na Youtube kanalu Supervizuelne, kao i na sledećem linku.
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Today’s episode of Supervizuelna in the Studio takes you into the studio of artist Nina Ivanović. We last spoke with Nina at Jugošped, shortly before she had to move out, and again on the eve of the 60th October Salon. Now, more than a year later, we find ourselves in her current workspace in Šećerana. Nina spoke with us about her professional journey so far—her work, exhibitions, and residencies—as well as about the very practical realities of finding, renting, and adapting studio spaces. She showed us how her working process functions, which tools she uses (both industrial and handmade, purpose-built ones), what materials she works with, how she shapes them, and how much collaboration is required to fully realize a project from concept to completion. A particularly compelling part of the conversation focused on the sources of inspiration in her life, especially those connected to the environment—rivers and other natural resources, their devastation and pollution, as well as the resistance and activism of local communities in the struggle against their further destruction. You can watch our latest episode on the Supervizuelna YouTube channel, as well as via the following link.
Nina Ivanović je rođena 1986. u Beogradu. Diplomirala je na Fakultetu likovnih umetnosti u Beogradu 2010. godine, smer slikarstvo. Od 2006. aktivno učestvuje na umetničkoj sceni kroz grupne i samostalne izložbe, letnje škole i domaće i internacionalne radionice kao što je Real Presence (2006-2010), Beograd. Dobitnica je nagrade za crtež Fakulteta likovnih umetnosti (2009), nagrade iz Fonda Vladimir Veličković (2014), nagrade 57. Oktobarskog salona (2018), nagrade Likovne jeseni u Somboru (2024), specijalne nagrade 60. Oktobarskog salona za zajednički projekat Gde su naši prostori za rad? (2024), kao i nagrade 38. Čukaričkog likovnog salona (2025). Boravila je na razidencijama u Glo’Art centru u Belgiji (2012, 2013), u Bazelu na rezidenciji Kuckucks Nest (Švajcarska, 2017), u Ateljeu 10 u Podgorici (2021) i u Parizu u Cité Internationale des Arts. Realizovala je radove u javnom prostoru poput rada Pejzaži u italijanskom gradu Vitorio Veneto u okviru izložbe 1918. Quando scoppia la pace (2018), svetlosne instalacije Perači prozora na prozorima Kulturnog centra Beograda (2019) i bakarne instalacije Brod (sekcija 1101) na fasadi Katedre za brodogradnju Mašinskog fakulteta u Beogradu (2023).
Suosnivačica je Umetničkog kolektiva U10, koji od 2012. godine vodi Umetnički prostor U10. Živi i radi u Beogradu.
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Nina Ivanović (Belgrade, 1986) was born in Belgrade in 1986. She graduated from the Faculty of Fine Arts in Belgrade in 2010, Department of Painting. Since 2006, she has been actively engaged in the art scene through group and solo exhibitions, summer schools, and national and international workshops, including Real Presence (2006–2010), Belgrade. She is the recipient of several awards, including the Drawing Award of the Faculty of Fine Arts (2009), the Vladimir Veličković Fund Award (2014), the Award of the 57th October Salon (2018), the Likovna jesen (Autumn Art Exhibition) Award in Sombor (2024), the Special Award of the 60th October Salon for the collaborative project Where Are Our Workspaces? (2024), and the Award of the 38th Čukarica Art Salon (2025). She has participated in artist residencies at the Glo’Art Center in Belgium (2012, 2013), Kuckuck’s Nest residency in Basel, Switzerland (2017), Atelier 10 in Podgorica (2021), and the Cité Internationale des Arts in Paris. She has realized several public space projects, including Landscapes in the Italian city of Vittorio Veneto as part of the exhibition 1918. Quando scoppia la pace (2018), the light installation Window Washers on the windows of the Belgrade Cultural Center (2019), and the copper installation Ship (Section 1101) on the façade of the Department of Naval Architecture at the Faculty of Mechanical Engineering in Belgrade (2023). She is a co-founder of the U10 Art Collective, which has been running the U10 Art Space since 2012. She lives and works in Belgrade.
