Supervizuelna u studiju – MARIJA ANĐELKOVIĆ
U novoj epizodi Supervizuelne u studiju posetile smo umetnicu Mariju Anđelković u Centru za grafiku i vizuelna istraživanja Akademija pri Fakultetu likovnih umetnosti u Beogradu. Reč je o mestu gde je Marija zaposlena i gde provodi najveći deo svog vremena, sarađujući sa umetnicima i umetnicama pri realizaciji najrazličitijih umetničkih projekata. U određenoj meri, ovaj prostor koristi i za sopstveni rad, o kome nam je posebno pričala. Tehnika kojom se primarno bavi je litografija, a njen pristup zasnovan je na procesu redukovanja, kao i na praktičnoj, telesnoj aktivnosti izviđenja rada. Marija nam je govorila o sprezi manuelnog rada i estetike, a pokazala nam je različite radove, poput onih koje je radila povodom učešća na likovnoj koloniji u Sićevu. Sprovela nas je kroz tehničke prostorije, pokazivala mašine, objašnjavala različite aspekte procesa rada, zbog čega smatramo da će ova epizoda biti posebno interesantna, imajući u vidu da pruža uvid u aspekte grafičke produkcije koji su nedovoljno poznati svima koji se ne bave ovom umetnošću. Epizoda je dostupna na našem Youtube kanalu, kao i putem sledećeg linka.
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In the new episode of Supervizuelna in the Studio, we visited artist Marija Anđelković at the Center for Graphics and Visual Research of the Academy, Faculty of Fine Arts in Belgrade. This is the place where Marija works and spends most of her time, collaborating with artists on the realization of a wide range of artistic projects. To a certain extent, she also uses this space for her own practice, which she spoke to us about in particular detail. Her primary medium is lithography, and her approach is grounded in processes of reduction as well as in the practical, embodied, and physical exploration of work. Marija spoke to us about the relationship between manual labor and aesthetics, and showed us various works, including those she produced in connection with her participation in the art colony in Sićevo. She guided us through the technical facilities, showed us the machines, and explained different aspects of the working process. For these reasons, we believe this episode will be especially interesting, as it offers insight into aspects of graphic production that remain largely unfamiliar to those who do not work within this field. The episode is available on our YouTube channel, as well as via the following link.
Marija Anđelković (1988, Beograd) osnovne (2010), master (2012) i doktorske studije (2019) završila je na Grafičkom odseku Fakulteta likovnih umetnosti u Beogradu. Stručna usavršavanja stekla je na Akademiji Jan Matejko u Krakovu, Poljska (2018) i na Kraljevskoj akademiji umetnosti u Antverpenu, Belgija (2020). Realizovala je devet samostalnih i učestvovala na velikom broju kolektivnih izložbi, projekata i grafičkih radionica u zemlji i inostranstvu. Dobitnica je nagrade Međunarodnog bijenala grafike Guanlan (2025), Pogledi’24 (2024) i nagrade Drugog međunarodnog bijenala grafike u Bukureštu (2016). Član je Udruženja likovnih umetnika Srbije (ULUS,2013). Zaposlena je u Centru za grafiku i vizuelna istraživanja na Fakultetu likovnih umetnosti u Beogradu kao majstor štampe, a od 2025. angažovana na Fakultetu primenjenih umetnosti u Beogradu u zvanju honorarnog predavača.
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Marija Anđelković (1988, Belgrade) completed her undergraduate (2010), master’s (2012), and doctoral studies (2019) at the Department of Graphic Arts, Faculty of Fine Arts, University of Belgrade. She undertook professional training at the Jan Matejko Academy of Fine Arts in Kraków, Poland (2018), and at the Royal Academy of Fine Arts in Antwerp, Belgium (2020). She has realized nine solo exhibitions and participated in a large number of group exhibitions, projects, and graphic workshops in Serbia and abroad. She is the recipient of the Guanlan International Print Biennial Award (2025), the Pogledi’24 Award (2024), and the Award of the Second International Print Biennial in Bucharest (2016). She has been a member of the Association of Fine Artists of Serbia (ULUS) since 2013. She is employed at the Center for Graphics and Visual Research at the Faculty of Fine Arts in Belgrade as a master printer, and since 2025 has also been engaged at the Faculty of Applied Arts in Belgrade as a visiting (adjunct) lecturer.
